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“The improvising is terrific, and Goloubev’s precision and drive irresistable”<\/p><\/blockquote>\n
– John Fordham, Jazzwise<\/h3>\n
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“In employing his years of collaborative experience to function on equal footing with his accomplished band, Goloubev produces an impressively subtle work.”<\/span><\/p><\/blockquote>\n
– Ammar Kalia, Downbeat<\/h3>\n
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“The writing is even better than the album’s handsome sound. Really this is the first reason that you should hear and get this record when it comes out”<\/p><\/blockquote>\n
– Marlbank<\/h3>\n
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“Titanic for a Bike is Goloubev’s most satisfying recording to date, and goes a long way towards elevating him to the ranks of jazz’s premier bass improvisers. It also states the case most persuasively, for Goloubev as a modern composer and leader of note. Highly recommended”<\/p><\/blockquote>\n
– Ian Patterson, All About Jazz<\/h3>\n
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\u201c\u2026most satisfying recording to date, and goes a long way towards elevating him to the ranks of jazz\u2019s premier bass improvisers. It also states the case most persuasively, for Goloubev as a modern composer and leader of note. Highly recommended.\u201d<\/p><\/blockquote>\n
– Ian Patterson, All About Jazz<\/h3>\n
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“Tecnica elevatissima ed espressiva”<\/p><\/blockquote>\n
– Vincenzo Fugaldi, Jazzitalia<\/h3>\n
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“Yuri Goloubev \u00e8 in grado di trarre dal contrabbasso il respiro vero dello strumento, grazie alla profondit\u00e0 del lavoro fatto con il pizzicato e, ancor di pi\u00f9, con l’archetto e alla qualit\u00e0 del suono sempre efficace ed elegante in ogni passaggio”<\/p><\/blockquote>\n
– Fabio Ciminera, Jazzconvention<\/h3>\n
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“Yuri Goloubev\u2019s unmistakable, deftly cantabile bass soloing… how beautiful! I think it’s important to understand how much brightness and colour it brings to people’s lives. His playing is as exquisite as ever.”<\/p><\/blockquote>\n
–\u00a0Adrian Pallant<\/h3>\n
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“Beyond the perfect mastery of his instrument and his deep capacity for writing, is his aesthetic – musical creations deeply-rooted in his experiences from the worlds of classics and jazz – which makes his dialogue and improvisations so solid.”<\/p><\/blockquote>\n
– Francisco Cruz, Jazz News<\/h3>\n
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“Yuri Goloubev is a truly sensational bassist.”<\/p><\/blockquote>\n
– Rainlore’s World of Music<\/h3>\n
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“Yuri’s voice is so distinctive; what he does with his instrument is a unique thing.”<\/p><\/blockquote>\n
– Ian Patterson, All About Jazz<\/h3>\n
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“Le contrebassiste russe Yuri Goloubev d\u00e9veloppe \u00e0 l’archet un tr\u00e8s beau son rappelant \u00e0 l’\u00e9vidence qu’il est aussi un interpr\u00e8te recherch\u00e9 en musique classique, mais poss\u00e8de \u00e9galement un groove puissant, et un sens m\u00e9lodique certain lors des chorus qu’il d\u00e9veloppe avec une aisance qui trahit une technique ph\u00e9nom\u00e9nale.”<\/p><\/blockquote>\n
– Patrice Boyer<\/h3>\n
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\u00a0“It is a sparkling set, integrating the wit and structure of classical influences with the freedom of jazz, giving ample room for each player to express themselves. …These players are all in their prime and there is a sense that they are ready to and willing to take jazz forward to new places over the next decade or three.”<\/p><\/blockquote>\n
– Dominic Williams, London Jazz News<\/h3>\n